Showing posts with label press start to continue. Show all posts
Showing posts with label press start to continue. Show all posts

Saturday, March 5, 2011

Katie McMahon - goodbye grey sky, hello blue.

I wanted to shout out, “I love you!” to the bald man crossing the street.


He thought he looked silly wearing a suit with sneakers, but I thought it was smart to wear sneakers, especially when you were walking long distances. His face was sad and friendly. I wanted to follow him around in my car and watch him read the newspaper. He felt like he had to read the newspaper to compensate for his sneakers, but he secretly wanted to read comic books and make pirate hats out of the paper.


I thought of us eating tomato soup on the porch and the wind blowing our napkins off the table. He would chase the napkins and I would want to laugh, but then I wouldn’t. I wasn’t trying to be polite; it just wouldn’t come out. Sometimes we would read books out loud to each other that we didn’t understand and then we would paint the table and chairs different colors. Blue on Tuesdays. Green on Fridays. Yellow Sundays - always yellow Sundays.


When we only had an hour together because of work or plans with other people, we almost always wanted to watch television, so we took the television to a thrift shop, where a couple who hated each other could watch it whenever they got into arguments. They could sit across the room from one another and cry while watching old episodes of Happy Days to make sense of their crying.


We, on the other hand, would put creamy spoonfuls of peanut butter on pine cones and then dip them in bird seed. I always wanted to dip mine in rainbow sprinkles, but he insisted that birds could get sick from eating sprinkles. Looking out the window, I would watch as he hung them in the trees. I stayed inside because I hated birds, but I loved eating peanut butter off the knife while he cut long strands of yarn and tied them around each cone.


“We really should’ve tied the yarn on before covering them in peanut butter,” he would say quietly, seemingly to no one at all, as he walked out the door.


And sometimes we even go out! We stand in the back of dark, divey bars and he always holds my hand because he’s scared that I’ll get lost - not that he thinks I’m an idiot, but he just doesn’t want to lose me. We sing only loud enough for each other to hear.


“Hey, you should know that I feel so lucky to hold your hand, not because of how handsome you are,” or because of how safe I feel falling asleep next to him, while he writes stories on my body with his fingertips, “but, well, because I really just do.”


The only thing I hate about him is how much he loves me. When I tell him this, he doesn’t want to talk and he threatens to buy back the TV. I try to say, “I’m sorry,” and rub his bald head, but he leaves for work early and I am left crying, irritated with images of Henry Winkler in my head.


“Whatever you think I am doing, I am not doing.”


I know he is comfortable with his bald head, but the way he feels about his dirty old sneakers is sometimes the way I feel about my sneakers too. And my legs and arms and the way my pants fit all weird around my knees.


“Do you want to be this way forever?” is what he finally says when he gets home. I don’t exactly know what he means, but he is right. I keep starting over the same way and getting confused when I have to start again. I’m too embarrassed to wear sneakers with a suit; that’s what he’s saying, isn’t it?


All I hear is, “I want you to be something better than you are capable of being,” when all he’s trying to say is: “You are greater than you think you are.”


I have no answer. He accuses me of loving loud rooms and restaurants because it means I don’t have to say anything or express what I’m feeling and thinking. I try to argue that that is like me accusing him of not wanting to grow hair on his head.


This makes him cry and he only cries when he watches the end of Breakfast at Tiffany’s, when the cat runs away, and he hasn’t had enough sleep.


He mutters under his breath that I never want to have sex or touch him while we’re in bed together. This makes me cry and think about a record spinning with Tom Bosley’s head in the middle, which makes me feel uncomfortable and cry even harder. Before I can grab him and say, “I’m sorry! It’s not just you! It’s every man I meet,” he leaves.


Days go by.


One day, I hear a knock at the door. All I can see are two legs dressed in suit pants, and a pair of brand new, bright white sneakers, staring me down, pleading, “Can I please come home?”


But all I can hear is the television blaring in the background and another knock, knock, knock.


Katie McMahon is a worker among workers, a writer, a student, and a lady. She has a Bachelors Degree that sits on her bookcase and is studying for a Masters Degree in English Lit to put on her bedside table. She just started running this blog and hopes you enjoy it and she also takes some pretty pictures, which you can look at here: http://www.flickr.com/photos/katiemcmahon/sets, if you're not too busy right now.

Friday, March 4, 2011

Lissa Oshei - City Lights

The two women walked slowly down the street, brushing each other lightly, the ineluctability of parting pressing silently down on them. Their footsteps echoed lightly against the cold sidewalk.

“This is me,” the dark one said when they reached her ’97 white Toyota Corolla.

“Thanks for hanging out—I had a nice time,” the light-haired girl said. They stood, for a moment, letting the tenuous strands of intimacy unravel. The dark one looked up into the light-haired girl’s eyes, nearly a head taller.

“So…” her voice trailed off and her mouth quirked up into a half smile. She leaned in, seeking the light girl’s mouth.

The light girl turned her head slightly at the last minute, offering her cheek instead. She pulled away then, with a soft but firm look in her green eyes.

“It’s like that, is it?” the dark one asked softly.

“Yes,” the green-eyed girl said simply, looking down at the other girl’s boots. The dark one nodded, and looked over the light girl’s shoulder.

“Well, thanks then. I had a good time, too.”

She started away, toward her driver’s side door. The light girl watched as the dark one got into her car, gave a little wave and a barely perceptible nod. She started her car.

The light girl turned and, without a backward glance, headed for her apartment. As she strode down the dim lit L.A. street, she re-lived the amorous evening the two spent together. She smiled, well-fed though she hadn’t eaten in hours. She smiled into the night, upturning her face toward the sky, possibilities endless as the stars above, obscured though they were by the bright city lights wrapping around her solitude.

Emily Idzior - Silver Lining

I could be anything the text could be anything could be everything and here is the text as everything:

I listen for clarity. Like a violincellopianoconductorsheetmusicflutetrumpet

Like a place where I can fall into loss and hold still.

I listen for the clarity or the clarity of a sound. Of the sound I am looking for the moment of clarity or a moment of aha.

Except that there is sometimes the moment of crickets under a clear sky full of stars
or moon. Or stars and moon. Or clouds and stars and moon. And crickets. And you and me and the thought of “where is the clarity in this?”

Sunday morning I am thinking of rain or piano pancakes or food. Clarity of some sort.

Please stay for the anything of the text or the anything of the anything. The stars are everything and anything and nothing and somehow there but not there in a few years or a few years ago they weren’t there but we still see them somehow. A thousand sunrises. A red sky. I can only see one thing at a time.

Emily Idzior is an aspiring poet and librarian who has to shush people poetically. She has a MA in salad making and wishes she loved tea without sugar but, alas, has a sweet tooth. She cannot quit waffles or coffee and writes in her personal blog once a year, http://ylimejane.blogspot.com/
Also she has a cat.

Thursday, March 3, 2011

Sean Tabb - Don't Touch That Button!

Near the top of every modern day remote control are a series of buttons indicating the various pieces of electronic equipment you have stacked in your walnut-brown entertainment console, like a ziggurat to the Gods of Home Media: VCR, DVD, AUD, TV, CBL. Pushing CBL/Power followed by TV/Power makes television shows appear, that much you know. You need to push the CBL button again if you wish to access the interactive program guide, and the TV button again if you want to adjust the volume. Don’t touch any of the other buttons, for the love of God. VCR, DVD and AUD are known as the “Fuck Everything Up Buttons.” And see that button in the upper right, the one mysteriously labeled STD. I wouldn’t touch that one unless you have cheap, unlimited access to antibiotics.

Actually, the remote control is silly with buttons you’ve probably never touched. If you’re anything like me, you’re afraid to touch them for fear that they’ll unlock a door to some other dimension, or at the very least royally screw up your television. To you I say this – fear is good. Let us review:

The “Master Power” Button
Don’t be flattered by the naming of the “Master Power” button. You are not the “master” of anything. It’s a canard. The “Master Power” button is the cable company’s version of the famed Milgram experiment in social psychology, a means to test your obedience to their authority. Unfortunately if you wish to watch American Idol, you’ll need to press this button. Just know who’s in charge.

The “Set-up” Button
The Set-up Button is the portal to a Matrix-like web of menu options that will confound your faith in the objective reality of existence. Pressers of the Set-up Button can only be saved by an emergency, two-hour phone date with a thickly accented, unduly deferential customer care provider who serves as a kind of home electronics shaman and apologizes a lot. You’ll live a much simpler, happier life if you don’t press the Set-up Button.

The Buttons of Redundancy
Somewhere on your remote you’re likely to find a cluster of buttons with names like “Guide,” “Info” and “Menu.” These pretty much all take you to the interactive program guide, owned and operated by the bots who hostilely overthrew the publishers of the once-popular, weekly periodical TV Guide. There may also be a button named “Settings.” This sounds a bit too similar to “Set-up,” if you ask me. I think it’s a trap. Oh, and the button marked “Exit”? I know a guy who knows a guy who pushed it and woke up with a black eye at the mouth of the Lincoln Tunnel, Weehawken-side. You have been warned.

The “Answers” Button
What does this button do? Is it like some kind of Magic 8-Ball, filled with fortunes and good, sound advice?

Q: Is there a reason why I can’t DVR more than two shows at a time?
A: As I see it, yes. You’re looking a little fat there on the sofa. Go out for a walk or something.

Q: Should I watch the MTV show Skins?
A: My sources say no. You’re too old for that shit. People will think you’re a perv.

True story: because I am a crackerjack researcher, I elected to press the “Answers” button and, well, get some answers. Without explanation, the station mysteriously changed to something called Kid Shows On Demand. I am left to assume that the Question, preprogrammed by Time Warner for the convenience of busy and/or distracted parents, is something like “mindless activities to distract my impossibly needy, pain-in-the-ass children?”

The “Aspect” Button
Once upon a time my sturdy, dependable, 500 pound, solid-state Magnavox television – the same one I’d been watching for 15 years – utterly shit the bed, and I was forced to upgrade to a newfangled, flat screen, HD Samsung. High Def! I was pretty excited, particularly when, while watching Lost, I could actually see the dirt trapped in Ben Linus’s pores. Then something strange and calamitous occurred. I noticed that the tip-top of everyone’s heads were cut off, and the info ticker that runs along the bottom of most news programs had similarly disappeared. How did this happen? No matter what I tried, I couldn’t fix it. I was just about ready to box the TV up and return it as defective when I thought to call my thickly accented, unduly deferential friend at Time Warner Customer Care.

“I’m sorry, Mr. Tabb. You must have accidentally pressed the Aspect button. Press it again and everything should be fine. Very sorry.”

That was irritating.

The “Fav” Button
Don’t be fooled by this button, “Fav” isn’t even a word. Oh sure, maybe its short for “favorite,” but according to the helpful web site www.all-acronyms.com, it might also stand for “Fast Attack Vehicle,” “feline ataxia virus,” or “floppy aortic valve.” If any of these things show up on your doorstep, you’ll be awfully sorry you pushed the “Fav” button. Not worth the risk, I say.


The “Live” Button
Think about it. Virtually everything on television is pre-taped. Even sporting events and awards shows and Saturday Night Live are on a short broadcast delay, to filter out obscenities and wardrobe malfunctions. It’s not as if you can just flip to live programming whenever you please. So what is this “Live” button, and what does it do?

The problem is one of grammatical usage. Because this is television, we assume that “Live” is an adjective; that we will see real, live people doing real, live things in real time. Wrong! The word “Live” on your remote control is actually a verb. If you press it, your TV will self-destruct and you’ll be forcefully jettisoned into the actual, participatory world where people LIVE, where they interact and physically engage and almost no one knows who Boston Rob is, never mind how many times he’s lost Survivor.

Sounds terrifying, right? I seriously wouldn’t advise it.

There’s a pretty good chance that Sean Tabb resembles the guy your sister dated in college. He gets that a lot. There’s an almost equally good chance that he DID date your sister in college, and just doesn’t remember. He does his parenting, husbanding, living and writing from his home in Portland, Maine. Check out his website at http://punctuatedequilibriumblog.wordpress.com, or follow his drivel on Twitter at http://twitter.com/pithnvinegar.

Wednesday, March 2, 2011

Anonymous - Teen Angst

This week on Writing, Writer, Writest we were supposed to talk about new beginnings. But, before I dive right into the subject, I think we should look at what comes BEFORE the new beginning - the downfall.

Everybody has a time in their lives where they think they’re doing what’s best for them, but they’re really doing quite the opposite. Your decisions are making you happy and ecstatic - you couldn’t see your life going in another direction if you tried with all of your might! But, then? CRASH. A circumstance comes around and ruins your so-called utopia. Your first instinct is to immediately blame somebody else - it’s human nature. You don’t want to believe that you yourself are the cause of the pain you’re feeling. But... really? It’s kinda on you.

That is probably a harsh statement, but hear me out. I’m not trying to be hypocritical by any means. I’m just writing from personal experience and observation. I, recently, have had my utopia crumble in front of my eyes. I blamed it on somebody else. I cried myself to sleep night after night. But I realize now it’s not worth all of that. Sure, it had to happen for me to heal, but come on now! If we, as people, weren’t so far into our own heads, maybe this wouldn’t happen!

The problem with being young is that people thing that you're unqualified to feel things. “Who are you to say these things?”, “You’re a kid.”, “You haven’t experienced life.”, “You haven’t felt love.”, “You haven’t-“ blah blah blah. We may feel our emotions in a different way, sure, but we still feel them. They are real to us, whether they appear to be real to you or not.


Okay. Anyway. Now that I have spent a good part of the essay whining about angsty, negative part of this topic (that I really think is necessary to really get to the point), here we go with the positive part. “Press Start to Continue.” Now that I have made it through “the downfall,” I am well on my way to my new start. I was just sitting around, playing my guitar, wallowing in self-pity, and DMing a friend when it hit me. “What the hell am I doing?” Why should one person have the power to alter my life? They shouldn’t.

So, this is where my new start began. I looked at life a different way. I have been happier and an all-around better person. It is definitely apparent in my everyday life and my music. I see now that I was so far into all of this “stuff” that I was basically neglecting the outside world.

If you don’t take anything else away from this long, teenage-angst essay, I hope you see that no matter what your situation is or was, you can always find a way to start over again. The downfall period may feel like it goes forever, but it really doesn’t! You have people who truly care about you, even if you think there’s no other way. You have the ability to make a new start for yourself - just open your eyes! You really can’t start fresh unless you are wiling to let yourself start fresh.

Let go of all the trash that’s polluting your mind. “Press Start to Continue” into your new beginning.

Scott Joel Gizicki - First Steps

If you live life correctly, by my standards, you should experience at least three new "firsts" a year. This could be anything; from trying raw fish, going para-sailing or visiting Disneyland for the first time ever. That’s how I live my life: Proudly. I label myself as an experience whore, which makes me a walking conundrum because I’m also proud of the notion of avoiding labels at all cost. However, I additionally tend to get off subject which can be quite a nuisance when attempting to stay under 1500 words. This way of living is rewarding but does come with consequences.

There are a lot of those firsts that you would not even wish against your worst enemy. Diagnosed with Epilepsy at age 9. Burying your father at age 12. Seeing that your best friend has lost both his legs at age 14. It’s a "good with the bad" type of lifestyle, indeed. Having experienced such life altering moments, you must learn to alter your outlook, as well.

Although I consider myself a recovering Catholic one phrase always stuck with me: When God closes a door, He opens a window. This suggests that with each ending there’s a new beginning waiting for you, but I’ve taken it a step further. Nothing ends, it only keeps going. Well, for a while there I was going and going like a little pink bunny that used to invade commercials in the 90s. In December of 2009, someone was telling me to slow down. I had my first seizure in two years while driving and hit a tree breaking both my ankles. I went through a short time of telling myself that it’s over. This is going to halt all my plans. Then I remembered that whole outlook thing. My father was with me in that car to make sure I didn’t injure myself further and my best friend was with me in the hospital. I still had my legs and, wow, here he was walking. So, like my best friend, I changed my outlook and said, “How many people can say they were fortunate enough to take their first steps twice?”

Scott Joel Gizicki is just another one of those new Los Angeles residents that acts and enjoys writing as well. After being born and raised in Detroit, he finally made it 3,000 miles to the city he's always wanted to live in this past August. He hopes he can stand out from the crowd; at least a little bit. :)

Tuesday, March 1, 2011

Luke LaGraff - 'Another Continue? cool.'

'Another Continue? cool.'

The sun is here
It is never late-
The universe is a clock.
Does it have batteries?
Can it change them?
To the multi:
verse of lyrics of spheres?
Made to the beat
we bang out with fear.

If I cave in with thought
and wrestle the ghost
I'll wonder most about the hope
I lost before my heart did.
will be like, "Did the day come?"
"Did I have a son?" -or were my eyes dead then-
-Till the worms poked thru them.

Luckily time has
(And just might always have)
A time for me (and you,
and the never too many generations we flew)
to tell it it HAS GOT to GO!

And by go I mean continue
By go I don't mean get
By go I mean we need you
By go I mean we want you

Look. At me. I'm a dawning mass.
I'm full today. You see me now,
At the horizon, transcending again,
My life as it fell,
Into bright spring


-----------------------


'A Dawning Mass'

With the forward idea of time
I got up to become.
Since
Earth show's no way of backtrack
I woke up with the sun already in my comb.

This was with a history of abuse
of what I did with a comb-
which was nothing.
The cop did not believe me and he
Locked me up for a head half a'shave
and asking a girl her middle name.

In that dawn's sun I was a mess.

In today's light I couldn't see
my past blight's shadow
I although regret almost none of it-
There was a night
There was that one end to the nights.
Which I can not right.

So today a maroon and blue-orange sky
has a welded ball rolling
And inside is me.

It's pinballing dawn, day, and night
Crashing into love, me and some
new friends already on board.

Found out about this orb by my orbit
Around the odd.
A break of the law, too;
Too much irony to include within this here tune.


-----------------------


'The Simple Write'

I had 4 dollars
I had a piece of bread, too.
I hadn't a wallet
And an oven that had no fuse.

I lost the money
I dropped the bread on booze-
But ate it anyway.

I moved. I couldn't spend anymore...
time had arrived.
Then it moved on, luckily w/ me
To America's southwestern shore.

It has it all, now it has me.
What have I been doing?

I got clean, that moon shine
was too clear in Tennessee.

I flopped into the beach
Felt that air the sea brings
Moved into a nice dive
Gettin a job
A job I'll like, that when it rains 'about
I'll still sing!

We have 2 dogs- Chuck D
and another, named Monster.
And it's all good.

Also met a girl
Who swirls delicate jokes
And kisses like the lips of surf.
I kiss her back.
and her lips!

Luke LaGraff is a lover of sandwiches, egg nog, and one of a kind days. He used to forget them, but now has realized he shouldn't; they have more meaning than ever at this point of his life. He enjoys the sun in LA and watches hockey and funny things whenever he can. He listens to people. He's from Tennessee.

Monday, February 28, 2011

Caitlin Rose - Portrait



Caitlin Rose will be starting fresh in Minneapolis this Spring/Summer with her husband and two cats. Check out her art and illustrations at www.caitlinrose.com and visit her etsy store at www.etsy.com/shop/CaitlinRoseOrange.

Sunday, February 27, 2011

Josh Grimmer - The Summer of 69 Lives

Hey everybody, before I get started with my essay, I just want to publicly thank our lovely new Editor-in-Chief, Katie McMahon. When I decided to shut down the blog a few weeks ago, she came up to me at work and whined about how lame I was. I asked her if she wanted to take over the operations of the blog, to which she responded “fuck that.” Well, the joke's on her, because a few weeks later, here we are. It was so sad. She begged and begged for me to let her run the blog. I ended up selling the rights for about $250,000. Joke's on her, once again! This thing is barely worth $100,000. Oh man, I'm a fucking awesome businessman. Look out, Wall Street! Here comes ol' Josh Grimmer!


To all the writers who made this blog possible from the very beginning, thank you. Treat Katie the same way you treated me – with begrudging indifference.


Grosses bises,

Josh Grimmer, Former Editor-in-Chief


---


I was born in 1985 to a lazy, single mother. I was an only child until age nine. I was, in fact, the only child in my entire family until age nine. All of these factors add up to one thing – hours and hours of video game playing. My entire childhood, as well as most of my adult life, was defined by what video games I was playing. Most extended memories are sort of managed by where I was in any given game. “That happened while I was trying to find every level in Super Mario World.” “That was the summer of Final Fantasy 6.” The most significant event of August 21, 1993 was when I saw somebody beat The Legend of Zelda for the first time. Also, my mom got remarried.


Despite what the people of the G4 network would like you to believe, video games are not, will not, and have never been cool. They are entertainment for indoor children. There's nothing cool about sitting down with reams of graph paper and attempting to map out the entire planet from Metroid, which I have done three different times. The second two were just for fun. That's seriously about as lame as lame can be. Occasionally a news story will pop up about how video games “aren't just for kids anymore.” Nintendogs, Babysitting Mama, and Imagine: Prom never get mentioned in these reports. Video games aren't just for kids, they're just mostly for kids. Like, 85 percent.


Video games are also for adults with arrested development, such as myself. A while ago a friend of mine got a real, grown-up, corporate-type job. The kind of job where you make business deals. Business deals used to happen at golf courses, but now they happen over XBox Live. Call of Duty 4 parties are apparently a thing in which people who have jobs that require suits participate. That's how networking happens now, I guess. Call me old fashioned, but I really prefer to play video games alone, like the asocial creature I was raised to be. Online gaming holds very little appeal to me, though I am currently on the precipice of the “Spring of Marvel vs. Capcom 3,” which will almost certainly force me to register for online gaming. I'm a little squeamish thinking about it.


Well-crafted video games create a sense memory for me. Just hearing the music from Final Fantasy 6 brings a rosy warmth to the back of my skull. I get the same thing if I think about the first level of Super Castlevania 4. This nostalgia really isn't much different from going through your old records and remembering the summer that all you did was sit around and listen to Daydream Nation or This Year's Model or whatever. It's also about as lame. I know that my children won't want to hear stories about the first time I beat Ganon or that one fight I had with Mother Brain. These nerdy memories are for me, and I'm pretty happy with them.


Josh Grimmer lives in North Hollywood with his wife and cat. He used to run this blog, but now he only sorta runs this blog. Let him know what you think about his dumb bullshit at http://twitter.com/JoshGrimmer

Tuesday, February 15, 2011

Like, 250 words or whatever.

That's how much Josh told me to write when I decided to compose this intro.

The point is, it's been over twenty days, and I missed the blog. Didn't you?

I've never been one to call myself a writer, but perhaps someday I'd like to get to that point. The only way I can ever get to that point is to write and that's what we're all about here. If you feel the same way as me, or you just feel like maybe you have something to say every once in awhile, then you're welcome here (even if you feel like you have nothing to say, but you just want to say it anyway).

What Writing, Writer, Writest has been about mostly is creative nonfiction, but let's open it up! Write a poem. Jot down some lyrics. Draw a cartoon and scan it onto your computer. Photos, scripts, an essay written by your cat, whatever you can think of.

The new theme will be: Press Start to Continue. Authors contribute stories (cartoons, poems, etc.) about new beginnings. Remember that time you tried to reinvent yourself by drinking green tea and taking yoga classes? Or when you moved across the country and broke up with your boyfriend? I don't, but maybe you do. Submissions are due Friday, February 25 before midnight. E-mail them to me at: writingwriterwritest@gmail.com

Please request my friendship on facebook so we can communicate as a community. Awesome!

I think that's about 240 words. So now I'll just add ten more words.

-Katie McMahon